Carter had taken the Ferrari, and, although Sable offered no resistance, she didn’t encourage him. At midnight they went down to the Lighthouse to hear Gabor Zabo, and, on the way home, they dropped by Shelly’s Mann Hole and caught the last set by Gerald Wilson. They had dinner at Cyrano’s in Marina Del Rey and then went to the Name of the Game on Century Boulevard for some dancing. I’ll move on to the serious matters below, but first, check this description of protagonists Elwin Carter and Sable having an evening out in 1973: The Cyrano building at 13578 Mindanao Way under construction in 1967. First because it so vividly evokes the peculiar time and place of early 1970s Los Angeles, a spatiotemporal locality that’s dear to my heart and second because its subject matter, racial politics in Los Angeles (including a vast conspiracy the nature of which I can’t really reveal without spoiling the plot, which is something I’m not willing to do) aligns closely with the focus of this blog. It seems reasonable to review it here for two reasons. Jefferson is a fine political conspiracy novel as well as a stunning roman des riverains 1 planted firmly in early 1970s Black Los AngelesToday’s book is The School on 103 rd Street, by Los Angeles author and psychiatrist Roland S.
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On OctoLAPD officers attacked journalist Lexis-Olivier Ray while he was covering a spirited informal celebration of the Los Angeles Dodgers’ recent World Series victory.The School on 103rd Street by Roland S. Taco sent a letter to LAPD Chief Michel Moore demanding an apology, an investigation, and a report on LAPD’s plans “to ensure the press is protected while they are working.” The next day, October 29, local news publication L.A. I don’t know what’s up with all that, but I do know that also on October 29, whether or not related to the police attack on Ray, LAPD Public Information Officer Josh Rubenstein sent an email to LAPD’s most senior leaders listing “the many communications initiatives” that Rubenstein and his office would be working on over the next week.Īnd this email has an awful lot to say about the press at protests, but none of it sounds like it’s meant to protect them.
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Daniel montoya porn gay videos professional#īut that’s not the worst thing in Rubenstein’s email.Ĭontinue reading On OctoLA Taco Demanded That LAPD Apologize For Physically Attacking And Beating Journalist Lexis-Olivier Ray - That Very Same Day LAPD Public Information Officer Josh Rubenstein Circulated A List Of His Related “Communications Initiatives” - Including Police Officers Videotaping “Violent” Protesters For The Express Purpose Of Posting Clips On Social Media To Shape A Pro-Police Narrative - And Monitoring Social Media Not Necessarily To Collect Evidence Of Crimes But Also To “Publicize Acts” - And A Professional Press Org Is Working With LAPD On Publicizing “Acceptable Behavior Of The Press During Protests” - Which Is All Exactly As Creepy As It Sounds! → To intimidate, corral, silence, yes, to work with the Radio, Television, and Digital News Association to describe “acceptable behavior of the press during protests,” and so on, but not to protect.
I can’t write yet about the City Council’s appalling behavior on Tuesday with respect to outlawing vehicle dwelling by renewing LAMC 85.02. It’s still too raw, and it’s too soon to have related records to publish. Local hero Lexis-Olivier Ray has an essential story on it in L.A. Taco, a story he inadvertently became a participant in when the police illegally forced him, a working journalist, to leave the room. The day before the vote a lot of folks were calling their Councilmembers, leaving messages, sending emails, and so on, urging their repsters to vote against this abhorrent nonsense, much of it coordinated via Twitter.